
The vines at Château Lagrézette from which the Le Pigeonnier cuvée is made, with the 17th Century pigeon house that gives it its name.
Last week, in conjunction with my participation in Malbec Days, I took part as planned in a blind tasting of eight malbec wines organized by Château Lagrézette, Cahors’ best known wine producer, internationally. The whole event, as I wrote before on this blog and on PalatePress, was a “rematch”, following my review of Le Pigeonnier 1999 as an example of vanity winemaking.
The tasting, as I described in this new PalatePress post, took place in a very honorable, courteous and fair context, with Jean Courtois, the estate’s general manager, exposing with great care and conviction the approach that the estate has taken over the years at all levels of production. Lagrézette is a gorgeous place, a superbly restored Read More









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Tasting Note: Il Frappato 2007, IGT Sicilia, Ariana Occhipinti
Frappato is usually used as a blending tool with nero d’avola, Sicily’s best known red grape, but when you taste it on its own, you wonder why we don’t see more varietal bottlings. In Ms Occhipinti’s able hands, it is, in any case, an absolute knock-out.
Nothing in this open and aromatic, delicate and yet assertive cuvée seems to stand in the way of the grapes’ natural aromatics. Every bit of this natural wine, made with no sulfur until bottling, is expansive, complex and fluid.
The fluidity, the everchanging character of this wine is truly remarkable. Every time you think you have it pinned down, it throws something else at you.
Here you are smelling cherries, and in come the figs, the raisins, before a whiff of fresh-cooked strawberries runs by. Pepper? Or is that smoke? Or maybe dried leaves. Or… no, maybe more blood orange. And then there’s that floral character. A little volatile acidity is there, but it gets completely swallowed up by the swirl of aromas that keeps dancing around in the glass.
The wine is from Read More »